REVIEW: As The Raven Flies — Festival O22 Begins (for Parterre Box)
In THE RAVEN, Festival O’s characteristic imagination and audacity remain front and center.
Two Characters in Search of Anagnorisis: DF Reviews for Parterre Box
This superb production of a Tennessee Williams’ rarity illuminates by lightening the playwright’s life and work.
Mouths To Be Kissed: CK Reviews A Little Night Music at Barrington Stage Company (for Parterre Box)
Summer smiles in the Berkshires with a charming revival of this Sondheim favorite.
Silent Treatment: DF reviews Strauss’s Schweigsame Frau at Bard (for Parterre Box)
A lovingly restored version of Strauss’s opera reveals that sometimes cuts are for the best.
‘Big D’ Energy: David and Cameron Review Most Happy at Williamstown and Sound of Music at Glimmerglass
Two celebrated 1950s musicals get strikingly dissimilar festival productions this summer.
Either Less or More: Into the Woods at the Arden Theatre (for Parterre Box)
An elegantly streamlined makes the best case for the show I’ve yet seen.
Wet Blanket: David and Cameron Review Bedwetter at Atlantic Theater Company (for Parterre Box)
Sarah Silverman’s memoir-musical takes on a traumatic subject with an uneasy mix of crude comedy and serious themes.
Grand Passion: Rigoletto at Opera Philadelphia (for Parterre Box)
The collective audience sigh of joy that greeted the opening chords signaled success from the start.
The End of This Play Isn’t Written Yet: The Skin of Our Teeth at Lincoln Center (for Parterre Box)
For all of the ingenuity and accomplishment of director Lileana Blain-Cruz and company, something here doesn’t add up.
Stained Class: Lucia di Lammermoor at the Met (for Parterre Box)
The undisputed cause célèbre here — for better or worse — is director Simon Stone.
reclining standards 