CK Reviews Galilee 34 at South Coast Repertory
Eleanor Burgess’s insightful, moving play explores how the gospel should be spread.
No Strings Attached: DF Reviews Madama Butterfly at Opera Philadelphia (for Parterre Box)
This production delivers an intriguing mix of conceptual ideas that sometimes scores powerfully.
In Lincoln Center’s Uncle Vanya, the Mountain Comes to Mohammed (for Parterre Box)
Director Lila Neeugebauer’s production refashions Chekhov’s play as a Steve Carell movie.
Brilliantly in Tune: CK Reviews Stereophonic on Broadway
This tale of the trials and tribulations of making great music is brilliantly in tune.
Tommy, Can You Hear Me? CK Reviews The Who’s Tommy on Broadway
There is lots to hear and see in this Tommy, but little to feel.
CK Reviews The Connector at MCC Theater
Jason Robert Brown’s new musical falls for its own con man.
Sack of Rome — DF Reviews The Rape of Lucretia at AVA (for Parterre Box)
A rewarding effort for audiences and, one presumes, for AVA’s talented artists.
Don’t You Forget About Me: Mozart & Mahler at the New York Philharmonic (CK for Parterre Box)
It seemed like such a great idea on paper.
For So Our Master Said: DF Reviews Maestro (for Parterre Box)
Ah, that Bernstein dichotomy.
Not With a Bang: CK Reviews the Staatskapelle Berlin in Brahms Four Symphonies (for Parterre Box)
What began as a planned sendoff to one man ended up as a testament to the valiant effort of another to realize it.
