Brutal Desire — CK & DF Review A Streetcar Named Desire at BAM (for Parterre Box)
Rebecca Frecknall’s gripping staging makes new a play many of us feel we know inside out.
Rebecca Frecknall’s gripping staging makes new a play many of us feel we know inside out.
The American debut of a truly great singer and recitalist is cause for rejoicing.
For better or worse, this show is likely to remind you of conversations from your own life.
Audra McDonald is Broadway’s latest Rose in George C. Wolfe’s re-conceived GYPSY.
A terminally hip production and model-pretty cast can’t disguise the work of an interpretively clueless director.
Jez Butterworth’s play wants to both shine a harsh light on nostalgia, and to bask in it.
Opera took center stage on the final weekend of the Philadelphia Orchestra season.
This is the show that this season captured theater cognoscenti like no other.
This superb production by Curtis Opera Theatre would be a credit to any opera company anywhere.
Each successive version pushed the envelope further… and was less effective.