REVIEW: The Adding Machine Doesn’t Add Up
The New Group’s adaptation of Elmer L. Rice’s rarely produced classic lacks the sharp focus of the original play.
The New Group’s adaptation of Elmer L. Rice’s rarely produced classic lacks the sharp focus of the original play.
At Opera Philadelphia, Gregory Spears’ opera both mystifies and enchants.
Golda Schultz and Jonathan Ware present Dark Matter(s), an intriguing program of songs, at the Philadelphia Chamber Music Society.
A dazzling but deeply moving Mahler 2nd suggests that busier is better for our beloved YNS!
Global warming meets the cool factor in The Seasons.
In a program ranging from Schubert to Tosti, the beloved tenor charmed the pants off Philadelphia.
Sweet Smell of Success was strongly cast here, but the merits of this noir musical are hardly black or white.
Perhaps this patch of rural America is now too well trod.
Shakespeare’s sedate historical tragedy becomes a relentlessly pulsating seriocomedy
Preston Max Allen’s new play feels like a Very Special Episode.