Criticism

I Love the Flower Girl: DF Reviews Erin Morley in Recital at Park Avenue Armory (for Parterre Box)

Morley and Moore in a mixed program, brilliantly conceived and superbly performed.

Emma Griffin’s “Go big or go home” production scores a win for Bernstein’s musical/operetta.

Playwright Joshua Harmon excels at complicated familial narratives… and this may be his best yet.

Seen here, Mamet’s powerful play feels lost in large void.

The new musical starring Idina Menzel, ostensibly a paean to a back-to-nature life, could hardly feel more manufactured and synthetic.

Rebecca Frecknall’s gripping staging makes new a play many of us feel we know inside out.

The American debut of a truly great singer and recitalist is cause for rejoicing.

For better or worse, this show is likely to remind you of conversations from your own life.

Audra McDonald is Broadway’s latest Rose in George C. Wolfe’s re-conceived GYPSY.

A terminally hip production and model-pretty cast can’t disguise the work of an interpretively clueless director.