The Baptism of Konstantin: DF Reviews Konstantin Krimmel at Park Avenue Armory (for Parterre Box)
The American debut of a truly great singer and recitalist is cause for rejoicing.
Familial and Familiar: CK Reviews Conversations With Mother
For better or worse, this show is likely to remind you of conversations from your own life.
Some Old and Then Some New Tricks: CK & DF Review Gypsy (for Parterre Box)
Audra McDonald is Broadway’s latest Rose in George C. Wolfe’s re-conceived GYPSY.
No Light, No Window, Just Broken: DF & CK Review Broadway’s Romeo + Juliet
A terminally hip production and model-pretty cast can’t disguise the work of an interpretively clueless director.
REVIEW: DF on The Hills of California at the Broadhurst Theatre
Jez Butterworth’s play wants to both shine a harsh light on nostalgia, and to bask in it.
Playing in the Rafters: CK Reviews the Philadelphia Orchestra’s La Boheme (for Parterre Box)
Opera took center stage on the final weekend of the Philadelphia Orchestra season.
Irreverent, Intelligent, and Broadway Bound: CK Reviews Oh, Mary
This is the show that this season captured theater cognoscenti like no other.
Fox on Fox: DF on Curtis Opera Theatre’s Wonderful Cunning Little Vixen (for Parterre Box)
This superb production by Curtis Opera Theatre would be a credit to any opera company anywhere.
If You Could See It Through My Eyes: DF on Cabaret (for Parterre Box)
Each successive version pushed the envelope further… and was less effective.
CK Reviews Galilee 34 at South Coast Repertory
Eleanor Burgess’s insightful, moving play explores how the gospel should be spread.
reclining standards 