Criticism

Confrontation, Catharsis and Crisis: Our Critics watch Uncle Vanya (for Parterre Box)

Watching the actors—masked and in street clothes, struggling with umbrellas—was almost unbearably emotional.

Opera is back, baby, and it’s good to be home!

MasterVoices’ imaginative traversal of Adam Guettel’s quirky, charmingly uncategorizable work continues.

Geraldine Page and Paul Newman shine in a problematic adaptation of Williams’ fork-in-the-road play.

Seven years ago, I wrote about Woody Allen. My feelings haven’t changed.

It’s a Sin may be the gay drama we have been waiting for.

With this recital, the Metropolitan Opera kicks it’s diva-dom game up a notch!

Guest soprano Angela Gheorghiu brought her radiant individuality to a project close to her heart.

I’ve long held that Philly’s best actors are as good as those anywhere, and you’ll see that here.

This version of Orpheus Descending takes off like a rocket.