Criticism

REVIEW: Photographic Memory: Girl From the North Country (for Parterre Box)

For a show set during the hardscrabble 1930s, few performances suggest downtroddedness.

It’s difficult to discuss Unknown Soldier without considering the impact of legacy.

Opening night had an extraordinary feeling of community. Isn’t that what theater should be about?

Playwright Douglas Williams’ ear for Millennial patois is superb… and his eye for character even better.

Beth Malone is the Molly Brown of our dreams, say Cameron and David.

Time heals almost everything, as Jerry Herman’s best score is stylishly resurrected.

This charmless, shrill Dolly did not have me at Hello!

Seen and heard here, Donizetti’s late work was stronger on vocal power than bel canto nuance.

The electric current that needs to run through Sam Shepard’s great play is curiously low-voltage here.

At 48th and Baltimore, a performance worthy of a Tony, and an enchanting show.