OPERA REVIEW: Capriccio is a Triumph
Richard Strauss’ funny, beautiful and moving last opera is superbly done in this co-production by Curtis Opera Theatre and Opera Philadelphia.
University administrator and teacher by day, theater and arts critic by night.
Richard Strauss’ funny, beautiful and moving last opera is superbly done in this co-production by Curtis Opera Theatre and Opera Philadelphia.
The 3,800 seat Metropolitan Opera may be a temple to music – but it’s not a recital hall. Increasingly, though, the company […]
John Logan’s play is executed skillfully at the Walnut Studio, but the intimate space robs it of its grandeur.
Kim Davies’ play about sexual bondage feels like a cynical exercise in edginess for its own sake.
Director Diane Paulus’s circus-style production is a visual dazzler – but two Broadway veterans walk off with the show.
Clara Brennan’s intriguing one-character play — a love-letter to libraries — gets a fine production at Inis Nua, with an extraordinary performance by Emily R. Johnson.
I was introduced to Sam Shepard’s writing when I was in college, and it was love at first read. At that point […]
It was inevitable and important that Encores would do Cabin in the Sky, the 1940 musical by Vernon Duke, John Latouche and Lynn […]
With Cold Mountain — a major new work, superbly performed — Opera Philadelphia makes another leap forward.
What’s a suitable next season for Ryan Murphy’s American Horror Story, following Murder House, Asylum, etc.? How about American Horror Story: High School? […]