DF Reviews Funnyman (Arden Theatre Company)
Bruce Graham’s play, an over-plotted riff on the behind-the-scenes saga of Bert Lahr in Waiting for Godot, is nowhere near as good as the real story.
University administrator and teacher by day, theater and arts critic by night.
Bruce Graham’s play, an over-plotted riff on the behind-the-scenes saga of Bert Lahr in Waiting for Godot, is nowhere near as good as the real story.
Jade King Carroll’s production hits all the right notes, and actors John Earl Jelks and Cleavant Derricks offer a master class in Wilson style.
Bizet’s wonderful early opera gets a surprisingly effective rethinking by director Penny Woolcock, and it’s beautifully sung.
Eugene O’Neill’s last completed play finds true greatness in its second half — and Kate Galvin’s production rises to meet it.
Stoppard’s meditation on science, the humanities and other big questions has his familiar dazzle, and Blanka Zizka’s direction is visually brilliant. But sometimes the human dimension gets lost.
Since my first posting on the final movement of the Mahler 4th Symphony, I’ve had a number of good conversations about the piece […]
Of my many changing identities (child, adult, student, working man) the one that’s lasted longest – and may be the deepest in […]
I really want to love director Todd Haynes, whose interests and sensibilities are so much like mine that he must be my […]
Ticket arts writers weigh in on the most important local arts moments of 2015.
Radio Times Program Guests: Beatrice Jona Affron, David Fox This time of year, we are inundated with songs from the unofficial Christmas […]