TV REVIEW: Catching Up with People vs. O.J. and House of Cards
In what might be a cautionary tale, two promisingly edgy shows slide to big three network pablum levels.
University administrator and teacher by day, theater and arts critic by night.
In what might be a cautionary tale, two promisingly edgy shows slide to big three network pablum levels.
Forget the 1939 movie — this deconstructed, provocative production will have you thinking about the play as never before.
There’s more than a hint of young adult fiction to Emma Goidel’s play, but the right audiences will enjoy it.
Richard Strauss’ funny, beautiful and moving last opera is superbly done in this co-production by Curtis Opera Theatre and Opera Philadelphia.
The 3,800 seat Metropolitan Opera may be a temple to music – but it’s not a recital hall. Increasingly, though, the company […]
John Logan’s play is executed skillfully at the Walnut Studio, but the intimate space robs it of its grandeur.
Kim Davies’ play about sexual bondage feels like a cynical exercise in edginess for its own sake.
Director Diane Paulus’s circus-style production is a visual dazzler – but two Broadway veterans walk off with the show.
Clara Brennan’s intriguing one-character play — a love-letter to libraries — gets a fine production at Inis Nua, with an extraordinary performance by Emily R. Johnson.
I was introduced to Sam Shepard’s writing when I was in college, and it was love at first read. At that point […]