THEATER REVIEW: In Marcus/Emma, History Seen Through a Lens, Hiply
Playwright Mary Tuomanen’s quirky voice will delight some viewers and infuriate others.
THEATER REVIEW: At Walnut Street, Maybe Too Much Laughter on the 23rd Floor
In an often-dazzling parade of comic shtick, the sentimental side of Neil Simon tends to disappear.
THEATER REVIEW: Genetics as Family Drama in Lantern Theater’s Informed Consent
Deborah Zoe Laufer’s play begins and ends well, but groans under a surfeit of issues.
THEATER REVIEW: In Constellations, Life and Its Possibilities
Nick Payne’s lovely play, gorgeously produced at the Wilma, is a treat for scientists and poets.
THEATER REVIEW: In the Arden’s John, a Romantic Weekend Turns Harrowing
This often enjoyable production doesn’t fully capture the play’s sublime, disquieting oddness.
THEATER REVIEW: 11th Hour’s Lizzie Takes a Fresh Whack at a Legendary Story
Some effective moments and good performances here, but not much new insight into Lizzie Borden
Q&A with Jen Childs, Mary Martello, and Monica Stephenson of The Carols
The writers and star of 1812’s new holiday show talk about their creative process, and the healing power of theater.
THEATER REVIEW: Arden’s A Year With Frog and Toad Looks Better Than Ever
After the battering year we’ve had, the sweet hopefulness of the show could not be more welcome.
THEATER REVIEW: Finding My Way Through Found
This high-energy musical at PTC has appealing moments alongside off-putting ones.
THEATER REVIEW: At Inis Nua, Dublin by Lamplight Sparkles
You will see no more delightful show, nor a better lesson in stagecraft, this season.
reclining standards 