Philadelphia

REVIEW: Is This A Room… Drama, Meet Reality

Tina Satter’s 70 minute play is disturbingly effective, even as it raises questions about the nature of documentary theater.

For better and worse, Lantern Theater’s production charms rather than alienates us.

Fringe rethinkings of William Inge and Tennessee Williams have fascinating, sometimes revelatory results.

A thrillingly full-throttle rarity, with much to celebrate in the fine singing here.

The gorgeous title characters in this self-consciously clever production are diminished from the start.

… in Dominique Morriseau’s lovely new play, they do.

A radiant performance showcased the exceptional work done here by gifted young singers.

Adams, superb at crafting arcs of sound, can’t handle characters or narrative.

Yannick and this magnificent orchestra were born for Bernstein.

This dispiriting, desultory revival essentially defines the difference between camp and kitsch.