REVIEW: Total Ellipse: The Spellbinding Denis & Katya at Festival O19 (for Parterre Box)
This superb chamber-sized two-hander has a monumental, shattering impact.
This superb chamber-sized two-hander has a monumental, shattering impact.
Once again, the audacious Opera Philadelphia folks are playing without a net.
If this production has an astronomy lesson to teach us, it’s that lightning doesn’t strike twice.
Domingo was out and Audra was in, as the Philadelphia Orchestra opens its season. Cameron and David were there…
Tina Satter’s 70 minute play is disturbingly effective, even as it raises questions about the nature of documentary theater.
For better and worse, Lantern Theater’s production charms rather than alienates us.
Fringe rethinkings of William Inge and Tennessee Williams have fascinating, sometimes revelatory results.
A thrillingly full-throttle rarity, with much to celebrate in the fine singing here.
The gorgeous title characters in this self-consciously clever production are diminished from the start.
… in Dominique Morriseau’s lovely new play, they do.