THEATER REVIEW: A Pleasingly Bittersweet Sound of Music at the Academy of Music
Director Jack O’Brien gives us the show in glorious technicolor, while masterfully finding some darker undertones.
THEATER REVIEW: At EgoPo, The Women Is Served Straight Up with a Twist
Forget the 1939 movie — this deconstructed, provocative production will have you thinking about the play as never before.
THEATRE REVIEW: Local Girls at Azuka Is an After-School Special with an Edge
There’s more than a hint of young adult fiction to Emma Goidel’s play, but the right audiences will enjoy it.
OPERA REVIEW: Capriccio is a Triumph
Richard Strauss’ funny, beautiful and moving last opera is superbly done in this co-production by Curtis Opera Theatre and Opera Philadelphia.
THEATER REVIEW: Red has Intimacy Issues
John Logan’s play is executed skillfully at the Walnut Studio, but the intimate space robs it of its grandeur.
THEATER REVIEW: Theatre Exile’s Smoke is 50 Shades of Meh
Kim Davies’ play about sexual bondage feels like a cynical exercise in edginess for its own sake.
THEATER REVIEW: Pippin Dazzles at the Academy of Music
Director Diane Paulus’s circus-style production is a visual dazzler – but two Broadway veterans walk off with the show.
DF Reviews Spine (Inis Nua Theatre Company)
Clara Brennan’s intriguing one-character play — a love-letter to libraries — gets a fine production at Inis Nua, with an extraordinary performance by Emily R. Johnson.
DF on Cold Mountain (Opera Philadelphia)
With Cold Mountain — a major new work, superbly performed — Opera Philadelphia makes another leap forward.
DF Reviews Exit Strategy (Philadelphia Theatre Company)
What’s a suitable next season for Ryan Murphy’s American Horror Story, following Murder House, Asylum, etc.? How about American Horror Story: High School? […]
reclining standards 