REVIEW: Love, Lies and Taxidermy at Inis Nua is a Rom-Com for Today
Alan Harris’s rollercoaster of a play is a hint of Spring renewal in the depths of February.
REVIEW: Time Remembered Is an Elegant French Feast
Mastery of style is everywhere in this jewel of a show that is wistful, wry, and deeply touching.
REVIEW: In Waitress, Lots of Sugar and Lard, Not Much Filling
How could some very talented people deliver a show so devoid of authenticity?
REVIEW: In Opera Philadelphia’s Written on Skin, Music and Theater Triumph
But why isn’t there more light and clarity in this moody but muddy work about illuminated manuscripts?
EgoPo’s Lydie Breeze Trilogy Preview for Time Out Philadelphia
Hats off to EgoPo for the theatrical coup of the season: mounting John Guare’s epic play cycle.
REVIEW: Waiting for Godot at Quintessence Melds Humor and Humanity
In director Ken Marini’s revelatory production, Beckett’s modern classic feels freshly-minted.
REVIEW: In Sensitive Guys at InterAct, Satire with a Heavy Hand
MJ Kaufman’s play is big on dogma and short on insight.
REVIEW: Das Rheingold at AVA Mines 14-Karat Vocalism
This chamber-sized production offers some large-scale musical pleasures.
REVIEW: In The Humans, Things That Go Bump in the Night
Walnut Street’s handsome production doesn’t quite cut to the core of Stephen Karam’s fine play.
REVIEW: Stones in his Pockets Skims Elegantly Over the Surface
McCarter’s enjoyable production doesn’t fully realize the shows virtuosity or pathos.
reclining standards 