A Conversation with R. Eric Thomas (for Time Out Philadelphia)
The playwright and ELLE Senior Staff Writer talks Trump, his new play, and Queen Maxine.
The playwright and ELLE Senior Staff Writer talks Trump, his new play, and Queen Maxine.
Isis’s earnest but constrained production doesn’t fully resonate.
Despite ingenious moments, the gimmick of Beth Wohl’s play wears out before it’s over.
Part II of the Lydie Breeze Trilogy is linear, concise, and better than Part I.
The Arden’s Toni Morrison adaptation is too much handsome staging, too little Morrison.
David Jacobi’s play wants to capture something important. I wish I knew what.
A terrific evening of music and theater, and a thrilling affirmation of a magnificent work.
Keith Huff’s episodic play has powerful moments, but too much narration.
David Adjmi’s clever but thin play offers theatrical showmanship but not much else.
Alan Harris’s rollercoaster of a play is a hint of Spring renewal in the depths of February.