The Baptism of Konstantin: DF Reviews Konstantin Krimmel at Park Avenue Armory (for Parterre Box)
The American debut of a truly great singer and recitalist is cause for rejoicing.
Familial and Familiar: CK Reviews Conversations With Mother
For better or worse, this show is likely to remind you of conversations from your own life.
No Light, No Window, Just Broken: DF & CK Review Broadway’s Romeo + Juliet
A terminally hip production and model-pretty cast can’t disguise the work of an interpretively clueless director.
REVIEW: Lucy Kirkland’s The Welkin at the Atlantic Theater Company
Lucy Kirkwood’s riveting and unsettling play is both fresh and a welcome return to old-school playmaking.
Irreverent, Intelligent, and Broadway Bound: CK Reviews Oh, Mary
This is the show that this season captured theater cognoscenti like no other.
If You Could See It Through My Eyes: DF on Cabaret (for Parterre Box)
Each successive version pushed the envelope further… and was less effective.
Brilliantly in Tune: CK Reviews Stereophonic on Broadway
This tale of the trials and tribulations of making great music is brilliantly in tune.
Tommy, Can You Hear Me? CK Reviews The Who’s Tommy on Broadway
There is lots to hear and see in this Tommy, but little to feel.
CK Reviews The Connector at MCC Theater
Jason Robert Brown’s new musical falls for its own con man.
Don’t You Forget About Me: Mozart & Mahler at the New York Philharmonic (CK for Parterre Box)
It seemed like such a great idea on paper.
reclining standards 