Criticism

REVIEW: We’ve Been Through the Mill: Moulin Rouge! on Broadway (for Parterre Box)

For all of its winking loucheness, the show is utterly devoid of any real suggestion of sex.

Cameron and David continue the conversation about what critics do and how they are perceived.

David and Cameron consider what it means to be a critic… and what other people think it means.

Playwright Jonathan Payne’s sense of distance robs us of our need for outrage.

… in Dominique Morriseau’s lovely new play, they do.

… but director Robert O’Hara’s insights alternate between brilliance and glare.

A radiant performance showcased the exceptional work done here by gifted young singers.

This 11 CD collection confirms Fassbaender’s status as one of the greatest interpreters of recent times.

This dispiriting, desultory revival essentially defines the difference between camp and kitsch.

This production, with a miscast pair of boldface names, can’t withstand the light of day.