Criticism

REVIEW: Williamstown’s A Human Being, of a Sort Is the Wrong Kind of Exhibition

Playwright Jonathan Payne’s sense of distance robs us of our need for outrage.

… in Dominique Morriseau’s lovely new play, they do.

… but director Robert O’Hara’s insights alternate between brilliance and glare.

A radiant performance showcased the exceptional work done here by gifted young singers.

This 11 CD collection confirms Fassbaender’s status as one of the greatest interpreters of recent times.

This dispiriting, desultory revival essentially defines the difference between camp and kitsch.

This production, with a miscast pair of boldface names, can’t withstand the light of day.

What once seemed a poignant meditation on AIDS now plays as a study in white privilege.

The audience at this vulgar show doesn’t care about Russian History. What they want is AnastasiaTM.

For sheer charm, I doubt this production will be equaled this year, or for many to come.