Criticism

REVIEW: Inis Nua’s Charolais is a Bovine Comedy

The wonderful Corinna Burns shines especially brightly in this droll, delightful show.

But whether this earnest, winning piece is a successful play is an open question.

The “semi-staging” seen here delivers less theater than no staging at all.

The provocative show that director Emma Griffin offers here goes beyond a reimagined staging.

What’s most unsettling here happens quietly in the shadows.

Michael Hollinger’s funny and clever play could use more gravity.

How do you like your Carmen? The role – and Bizet’s opera – contain multitudes.

With Shaw’s go-big-or-go-home masterpiece, playing it small and safe is not good enough.

A rare opportunity to see Tell Me on a Sunday reveals a good idea, flawed in the execution.

Tennessee Williams’ wrote his female characters with compassion—why can’t the director see it?