Criticism

REVIEW: In Titus Andronicus, the Son Will Come Out, Tamora

Shakespeare Theatre of New Jersey’s energetic production makes a good case for the play without solving all its problems.

The crown may be hollow, but here it seems weightless.

Summon the ghosts of Rosalind Russell and Cary Grant at your peril.

In this intriguingly spare production, Tennessee Williams’ Summer and Smoke remains a puzzler.

The major takeaway from George C. Wolfe’s uneven production is it’s time we put Iceman on ice.

Joe Mantello’s wildly entertaining production also exposes the flaws of Albee’s play.

This lightweight production feels more like One Day’s Journey into Dusk.

I make no claim to completeness or even to coherence. But here goes…

Philadelphia Artists’ Collective’s delightful show captures the delights—and some of the poignant heart—of early melodrama.

A particular tension—between angry political resistance, and gloriously buoyant queerness—fuels TM24’s immense energy.