Witch Side Are You On?: CK reviews Becky Nurse of Salem at Lincoln Center Theater
A main theme in Sarah Ruhl’s play is how history is distorted by those who get to tell it.
Author Archives
Cameron Kelsall
So Far Away: CK Reviews A Far Country at Atlantic Theater Company (for Parterre Box)
Lloyd Suh’s moving, meditative play considers the rise of anti-Chinese sentiment during America’s Westward expansion.
Love, Loss, & What She Wore: CK Reviews Sondra Radvanovsky in Recital at Carnegie Hall
Sondra Radvanovsky eschewed the customary recital format, putting her selections in a highly personal context.
It’s Going to Cost You: CK Reviews The Cost of Living (for Parterre Box)
Martyna Majok Pulitzer Prize-winning play overflows with complexity. It begins with the title.
Talking About a Revolution: CK Reviews I’m Revolting at Atlantic Theatre Company
In this moving, unsettling work, playwright Gracie Gardner gives the experience of illness pitched to true life.
Mouths To Be Kissed: CK Reviews A Little Night Music at Barrington Stage Company (for Parterre Box)
Summer smiles in the Berkshires with a charming revival of this Sondheim favorite.
Joust In Time: Man of La Mancha at Saratoga Opera (for Parterre Box)
Zachary James delivers a thoughtfully crafted, blessedly restrained Quixote/Cervantes.
Her Kind of Woman: New Biography Explores Jane Russell’s Life and Times (for Parterre Box)
“Mean…Moody…Magnificent!: Jane Russell and the Marketing of a Hollywood Legend” chronicles the Golden Age starlet’s troubled life and idiosyncratic career.
REVIEW: EgoPo’s Nocturne Brings Theater to the Parking Lot
Adam Rapp’s elliptical meditation on grief and guilt ushers in a new era of in-person performances in Philadelphia.
Wild Things Leave Skins Behind Them: Our Critics Discuss The Fugitive Kind (for Parterre Box)
This version of Orpheus Descending takes off like a rocket.
reclining standards 