Mälkki Way: CK Reviews Ligeti, Mussorgsky & More at the New York Philharmonic (for Parterre Box)
A fascinatingly varied program captured both intellectual rigor and palpable joy in music-making.
A fascinatingly varied program captured both intellectual rigor and palpable joy in music-making.
How did this slimly plotted show make it to Broadway? Four words: Josh Gad! Andrew Rannells!
Cameron offers a loving tribute to James Jorden, Parterre Box’s founder and eternal force.
Francois Girard’s Holländer sits on the Met’s cavernous stage as a dull gray mass.
Doug Wright’s new biographical dramadey, seems at once intimately familiar with and entirely alien to its subject.
A main theme in Sarah Ruhl’s play is how history is distorted by those who get to tell it.
Lloyd Suh’s moving, meditative play considers the rise of anti-Chinese sentiment during America’s Westward expansion.
Sondra Radvanovsky eschewed the customary recital format, putting her selections in a highly personal context.
Martyna Majok Pulitzer Prize-winning play overflows with complexity. It begins with the title.
In this moving, unsettling work, playwright Gracie Gardner gives the experience of illness pitched to true life.