Cameron and David consider performances by several actresses in the late Terrence McNally’s Master Class.
REVIEW: A Grandeur Night for Singing: Yannick Nézet-Séguin’s Zauberflöte Recording (for Parterre Box)
The maestro captures superbly this work’s complex mix of diverse elements.
For all of its winking loucheness, the show is utterly devoid of any real suggestion of sex.
How do you like your Carmen? The role – and Bizet’s opera – contain multitudes.