Our critics had three top picks, as did the judges… and they were different.
Opera Philadelphia’s new channel kicks off with a virtual program that embodies their best ideals.
BOYS could be seen as the gay equivalent of SHOW BOAT—hugely important, and now extremely problematic.
The delightfully subversive Western features one of Joan Crawford’s most iconic performances.
As Blanche Hudson might have said, “It’s still a pretty good picture”… and then some!
Another installment in our series on Bette Davis brings us to the second thriller in the famous Robert Aldrich diptych.
Jeanne Eagels and Siobhan McKenna show that there are many ways to write The Letter.
Bette Davis dazzles in one of her early signature films.
Peter Shaffer’s play is seen here for what it’s always been: a piece of lowbrow camp masquerading as highbrow art.
Katharine Hepburn’s particular iconoclastic style certainly suits Jo March.