Let’s Get Serious — CK Reviews Renee Fleming and Evgeny Kissin at Carnegie Hall (for Parterre Box)
The soprano arrived at Carnegie Hall on May 31 with something to prove.
The soprano arrived at Carnegie Hall on May 31 with something to prove.
Francois Girard’s Holländer sits on the Met’s cavernous stage as a dull gray mass.
Sharon’s reordering is the boldest aspect of his production, and for me it’s effective.
Doug Wright’s new biographical dramadey, seems at once intimately familiar with and entirely alien to its subject.
Don Pasquale is Jawn Pasquale in this delightful production at the Academy of Vocal Arts.
That Some Like It Hot fizzles rather than sizzles is not only a disappointment, but also a bit of surprise.
This is likely the best Giargiari Bel Canto competition year in my experience, evidenced in several important ways.
Stuffed with Stoppardian cleverness, there’s far too much in LEOPOLDSTADT to register with specificity.
Martyna Majok Pulitzer Prize-winning play overflows with complexity. It begins with the title.
In bel canto opera, virtuosic singing IS the drama. Accept that, and O22’s OTELLO pays off thrillingly.