It would be impossible to overpraise Anna Magnani’s performance.
MasterVoices’ epic project may be the best showcase Guettel’s work has yet received.
If the original version of The Prom had zazz—Ryan Murphy’s adaptation barely achieves fizz.
The camp elements here–including Susan Hayward’s performance–are undeniable, yet I WANT TO LIVE is a sincere and important movie.
Featuring Barbara Stanwyck’s blood-chilling performance, this may be the greatest Film Noir ever.
In this rarely seen 1958 remake of Morning Glory, Susan Strasberg does not prove herself the next Katharine Hepburn.
Our critics had three top picks, as did the judges… and they were different.
Opera Philadelphia’s new channel kicks off with a virtual program that embodies their best ideals.
BOYS could be seen as the gay equivalent of SHOW BOAT—hugely important, and now extremely problematic.
The delightfully subversive Western features one of Joan Crawford’s most iconic performances.