reclining standards

armchair observations on theater, music, and more with your hosts, david fox and cameron kelsall

  • ABOUT RECLINING STANDARDS

Speech and Debate (Azuka Theatre, May 2015)

May 11, 2015

Let’s be candid from start: Speech and Debate is about hookups – online and in-person – between older men and teenage boys. Not […]

Zorba (Encores Musicals in Concert, May 2015)

May 10, 2015

“Life is what you do while you’re waiting to die / Life is how the time goes by.” I was too young […]

Don Carlo (Opera Philadelphia, May 2015)

May 6, 2015

Watching the final, marvelous performance of Opera Philadelphia’s Don Carlo, I thought about the company’s extraordinary rise to a new standard, under […]

Leonard Bernstein’s Mass (Philadelphia Orchestra, May 2015)

May 2, 2015

Sometimes, a cluster of events come along that really illustrates the strength of Philly’s current arts scene. Last week, I saw Edward […]

Who’s Afraid of Virginia Woolf? (Theatre Exile, April 2015)

April 24, 2015

Let’s start by celebrating the meteoric rise of Theatre Exile – they’ve arrived the top level of Philadelphia’s vibrant theatre scene. The Exilers […]

Hand to God (Booth Theatre, New York, April 2015)

April 21, 2015

In my innocent youth, puppets were loveable animal figures – Shari Lewis’s Charlie Horse, and the adorably coquettish (and carnivorously named) Lamb […]

Dorothea Röschmann and Mitsuko Uchida (Philadelphia Chamber Music Society, April 2015)

April 16, 2015

I had the good fortune this week to attend one of the finest Lieder recitals I’ve heard in many years, by soprano […]

Penelope (Inis Nua Theatre, April 2015)

April 12, 2015

Something magical happens 30 minutes into Penelope. It begins when Quinn, a middle-aged man, unflatteringly clad in a speedo, babbles on with […]

Hamlet (Wilma Theater, April 2015)

April 2, 2015

“All the world’s a stage,” Shakespeare tells us – and director Blanka Zizka seems to take it literally. Her busy, incohesive production of […]

The Chocolate Soldier (Concert Operetta Theater, March 2015)

March 27, 2015

By the time I was of listening age (that is, in my early teens, around 1970), operetta performances, at least in the […]

‹ Newer 1 … 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 … 81 Older ›

Twitter feed

Recent Posts

  • Arc of Life — DF reviews Complications in Sue for Parterre Box
  • Reduce, Reuse, Recycle — DF Reviews The Seasons at Opera Philadelphia (for Parterre Box)
  • Mein Lieder Schwan — Matthew Polenzani at PCMS (CK Review for Parterre Box)
  • Form Over Function: Anika Kildegaard in Recital at PCMS (DF for Parterre Box)
  • REVIEW: Shades of Gray – Sweet Smell of Success by MasterVoices (for Parterre Box)

Recent Comments

Judy Romero's avatarJudy Romero on THEATER REVIEW: In The Glass M…
Unknown's avatarREVIEW: Annie Baker… on DF Reviews John (Signature…
Paula Shelley's avatarPaula Shelley on For So Our Master Said: DF Rev…
Paula Shelley's avatarPaula Shelley on James Jorden 1954-2023
Unknown's avatarShort Take: DF Looks… on Either Less or More: Into the…

Archives

  • February 2026
  • December 2025
  • November 2025
  • October 2025
  • September 2025
  • July 2025
  • June 2025
  • April 2025
  • March 2025
  • February 2025
  • January 2025
  • November 2024
  • October 2024
  • June 2024
  • May 2024
  • April 2024
  • March 2024
  • February 2024
  • January 2024
  • December 2023
  • November 2023
  • October 2023
  • September 2023
  • June 2023
  • May 2023
  • April 2023
  • March 2023
  • February 2023
  • December 2022
  • November 2022
  • October 2022
  • September 2022
  • August 2022
  • July 2022
  • June 2022
  • May 2022
  • April 2022
  • March 2022
  • February 2022
  • January 2022
  • December 2021
  • November 2021
  • October 2021
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • June 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • December 2018
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • October 2017
  • September 2017
  • August 2017
  • July 2017
  • June 2017
  • May 2017
  • April 2017
  • March 2017
  • February 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • May 2016
  • April 2016
  • March 2016
  • February 2016
  • January 2016
  • December 2015
  • November 2015
  • October 2015
  • September 2015
  • August 2015
  • July 2015
  • June 2015
  • May 2015
  • April 2015
  • March 2015
  • February 2015
  • January 2015
  • December 2014
  • November 2014
  • October 2014
  • September 2014
  • August 2014
  • July 2014
  • June 2014
  • May 2014
  • April 2014
  • March 2014
  • February 2014
  • January 2014

Categories

  • Book
  • CITY PAPER
  • Criticism
  • Dance
  • General Ramblings
  • Movies
  • Music
  • New York
  • PARTERRE BOX
  • Philadelphia
  • Television
  • Theater
  • TICKET/PHILADELPHIA MAGAZINE
  • TIME OUT PHILADELPHIA
  • Uncategorized

About Reclining Standards

  • Create account
  • Log in
  • Entries feed
  • Comments feed
  • WordPress.com

Blog at WordPress.com.
  • Subscribe Subscribed
    • reclining standards
    • Join 114 other subscribers
    • Already have a WordPress.com account? Log in now.
    • reclining standards
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...