Georgia On My Mind: DF Reviews Infinite Life (for Parterre Box)
A beautiful, funny, disquieting study by an artist whose mastery of understatement is nonpareil.
A beautiful, funny, disquieting study by an artist whose mastery of understatement is nonpareil.
If only good intentions were good theater!
Wanna feel old? Hair, “The American Tribal Love-Rock Musical,” has its 56th birthday this month.
Despite some stunning stage images, this adaptation of The Pianist remains stubbornly literary and often inert.
Director Terry Nolen’s second production of this Sondheim work is an intriguingly different take on the piece.
Composer and lyricist Adam Guettel’s return to the theater impresses but divides our critics.
What do you see when you look at Into the Woods? The musical might serve as a theatrical Rorschach test.
This is by any measure a triumphant show, evidence that Broadway can still be American theater’s gold standard.
Wild adulation for Donna Murphy could not disguise that Dear World doesn’t work in any sense.
Two radically different productions offer fascinatingly contrasting insights into Williams’ great play.