Philadelphia

THEATER REVIEW: Gypsy at the Arden—Here She Is, Boys!

Terrence Nolen’s production packs some surprises, and has a treasurable Rose in Mary Martello.

James Lecesne’s virtuosic, moving one-man show ends PTC’s season on a high note.

Tracey Scott Wilson’s powerful, edgy play shows Theatre Exile at its considerable best.

On her upcoming appearance here with Seth Rudetsky, her performing history in Philadelphia, and (surprise!) … how polite the locals are.

Jacqueline Goldfinger’s spellbinding new play honors centuries of theater in a voice that is distinctly her own.

There’s considerable accomplishment and comic virtuosity here in Marc Camoletti’s farce.

A fine cast, expert conducting, and beautiful designs are hallmarks of Opera Philadelphia’s production.

One of the three plot strands in Stef Smith’s sincere play is for the ages.

This amped-up version has its own rewards—especially in the marvelous Euan Morton.

What should be shocking and hilarious emerges here as kind of naughty and sort of funny.