DF Reviews A Moon for the Misbegotten (Walnut Studio Theater)
Eugene O’Neill’s last completed play finds true greatness in its second half — and Kate Galvin’s production rises to meet it.
DF Reviews The Hard Problem (Wilma Theater)
Stoppard’s meditation on science, the humanities and other big questions has his familiar dazzle, and Blanka Zizka’s direction is visually brilliant. But sometimes the human dimension gets lost.
Further Thoughts on Mahler’s Fourth Symphony
Since my first posting on the final movement of the Mahler 4th Symphony, I’ve had a number of good conversations about the piece […]
DF on Record Collecting, Comparative Listening, and Mahler’s Fourth Symphony
Of my many changing identities (child, adult, student, working man) the one that’s lasted longest – and may be the deepest in […]
Notes on Carol and Director Todd Haynes
I really want to love director Todd Haynes, whose interests and sensibilities are so much like mine that he must be my […]
15 Outstanding Philly Arts Moments in 2015 (for Ticket / Philadelphia Magazine)
Ticket arts writers weigh in on the most important local arts moments of 2015.
DF Reviews The Three Maries (Prince Theater)
Michael Ogborn’s musical is at its best when evoking the quirks and follies of our home city, especially the local accent.
DF Reviews Hir (Playwrights Horizons)
Hir, Taylor Mac’s electrifying, take-no-prisoners play, struck me like a bolt of lightening – all the more because only hours before, I’d […]
DF Reviews Gentlemen Volunteers (Pig Iron Theatre)
Who says you can’t go home again? Pig Iron Theatre is now 20 years old. In that time, the locally based company […]
DF Reviews Hedda Gabler (Laurel Tree Theater Company)
Scholars of Ibsen’s Hedda Gabler will continue to debate why the protagonist (that’s Hedda, of course) is so profoundly unhappy. But there’s […]
reclining standards 