First, the takeaway: Yannick Nézet-Séguin’s “Music of Faith” with the Philadelphia Orchestra was a sensational concert, perhaps the best I’ve heard in more than a season. Intriguingly juxtaposing two similar-but-very-different works composed 120 years apart—Bernstein’s Symphony No. 3 (Kaddish) and Rossini’s Stabat Mater—the maestro and his excellent collaborators were in tip-top form.
Though categorized as a symphony, Kaddish is difficult to define in a formal sense…
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Categories: Criticism, Music, PARTERRE BOX, Philadelphia