Seen here, this dated piece of earnest but intolerant realism seems almost a parody of itself.
Director Terry Kinney blows up Sam Shepard’s great play and can’t put it back together again.
Is Jesse Eisenberg’s bumpy play camp…or something entirely different? Critics David Fox and Cameron Kelsall discuss.
Phylicia Rashad’s flashy, shallow production reveals how close this play is to TV comedy.
Hamish Linklater’s bumpy, overwritten play never finds an anchor.
Revisiting Annie Baker’s new play confirmed some of my impressions and changed others.
There are many wonderful things in Annie Baker’s new play, but it loses its way.
An improbably delightful adaptation of the grimmest of all English-language dramas.