The Walnut Street production’s antic energy is both its strength and its weakness.
Walnut Street’s handsome production doesn’t quite cut to the core of Stephen Karam’s fine play.
Terrence Nolen’s production packs some surprises, and has a treasurable Rose in Mary Martello.
Walnut Street’s production captures the arch surface of Wilde’s script, but not its anarchic zing.
At Lantern Theater, a great actress shines as Shaw’s bewitching anti-heroine.
The great thing about Doubt, John Patrick Shanley’s slender but effective drama about child abuse in the church, is that our sympathies […]