A main theme in Sarah Ruhl’s play is how history is distorted by those who get to tell it.
For all of the ingenuity and accomplishment of director Lileana Blain-Cruz and company, something here doesn’t add up.
Judith Ivey offers a performance of raw, unflinching honesty across the story’s increasingly bleak three hours.
I’m a great lover of Schubert, and I’ve attended a number of memorable Lieder recitals. Yet I haven’t been to many live performances of […]