Politics and culture here are ultimately filler, suggesting but not delivering dramatic weight.
Don’t miss this superb show, which returns for a run this December!
For better and worse, Lantern Theater’s production charms rather than alienates us.
We’ve moved on from Harold Pinter’s pregnant, tedious pauses. Who has the time?
Anthony Lawton’s adaptation takes a familiar tale and electrifyingly gives it new life.
Tom Stoppard hurls his cleverness like a javelin. But wouldn’t a truly smart play be about things that matter?
Less here would be so much more.
Sometimes the play at Lantern Theater seems like a great and important work; at other times, not so much.
Lolita Chakrabarti’s mixed bag of a play finds greatness when Forrest McClendon takes the stage.
The best of this viscerally thrilling but interpretively odd take on Shakespeare’s play is very fine indeed.