Some Old and Then Some New Tricks: CK & DF Review Gypsy (for Parterre Box)
Audra McDonald is Broadway’s latest Rose in George C. Wolfe’s re-conceived GYPSY.
No Light, No Window, Just Broken: DF & CK Review Broadway’s Romeo + Juliet
A terminally hip production and model-pretty cast can’t disguise the work of an interpretively clueless director.
REVIEW: DF on The Hills of California at the Broadhurst Theatre
Jez Butterworth’s play wants to both shine a harsh light on nostalgia, and to bask in it.
REVIEW: Annie Baker’s Wonderful Janet Planet
It’s a joy to see this great playwright equally at home as a screenwriter and director.
REVIEW: Lucy Kirkland’s The Welkin at the Atlantic Theater Company
Lucy Kirkwood’s riveting and unsettling play is both fresh and a welcome return to old-school playmaking.
Irreverent, Intelligent, and Broadway Bound: CK Reviews Oh, Mary
This is the show that this season captured theater cognoscenti like no other.
If You Could See It Through My Eyes: DF on Cabaret (for Parterre Box)
Each successive version pushed the envelope further… and was less effective.
CK Reviews Galilee 34 at South Coast Repertory
Eleanor Burgess’s insightful, moving play explores how the gospel should be spread.
In Lincoln Center’s Uncle Vanya, the Mountain Comes to Mohammed (for Parterre Box)
Director Lila Neeugebauer’s production refashions Chekhov’s play as a Steve Carell movie.
Brilliantly in Tune: CK Reviews Stereophonic on Broadway
This tale of the trials and tribulations of making great music is brilliantly in tune.
reclining standards 