Philadelphia

REVIEW: Maid Love: Il Barbiere di Siviglia at Curtis Opera (for Parterre Box)

The Berta (mezzo-soprano Emily Damasco) runs away with the show.

Tina Fey’s satire of high school cliquishness ages uncomfortably into the social media era.

The production is a mixed bag, but it shows the high vocal standard of AVA’s current artists.

Marina Carr’s gorgeous play both honors the great Irish tradition, and boldly breaks new ground.

David and Cameron explore this charming new play, lit up with old fashioned star power.

Clare Barron’s Pulitzer finalist chronicles the hard road to maturity with a refreshing lack of condescension.

David and Cameron consider 15 promising young singers, vying for a prestigious prize.

A character-driven, wryly humorous play gets a production often mired in sitcom glibness.

Festival O19 ended on a sweet note, connecting Opera Philadelphia with the city and our musical future.

In this intriguing but confounding theater piece , creator Joseph Keckler wants to have his cake and eat it too.