DF Reviews Harvey (Walnut Street Theatre)
In the leading role, Ben Dibble is luminously sweet — but the frantic Walnut Street production sometimes robs Harvey of its gentle charm.
In the leading role, Ben Dibble is luminously sweet — but the frantic Walnut Street production sometimes robs Harvey of its gentle charm.
Bruce Graham’s play, an over-plotted riff on the behind-the-scenes saga of Bert Lahr in Waiting for Godot, is nowhere near as good as the real story.
Eugene O’Neill’s last completed play finds true greatness in its second half — and Kate Galvin’s production rises to meet it.
Stoppard’s meditation on science, the humanities and other big questions has his familiar dazzle, and Blanka Zizka’s direction is visually brilliant. But sometimes the human dimension gets lost.
Ticket arts writers weigh in on the most important local arts moments of 2015.
Michael Ogborn’s musical is at its best when evoking the quirks and follies of our home city, especially the local accent.
Who says you can’t go home again? Pig Iron Theatre is now 20 years old. In that time, the locally based company […]
Scholars of Ibsen’s Hedda Gabler will continue to debate why the protagonist (that’s Hedda, of course) is so profoundly unhappy. But there’s […]
Cabaret, perhaps our most intimate live art form, gets a new series – and a new venue – courtesy of the Arden Theatre Company.
Ken Ludwig’s comic take on Sherlock Holmes gets a dazzling visual production, though suspense is in short supply.