O Festival Diary—Day V: The Wake World Is O17’s Glamorous Swan Song
David Hertzberg’s opera is dramatically pretentious, musically gorgeous, and very much An Event.
David Hertzberg’s opera is dramatically pretentious, musically gorgeous, and very much An Event.
A sometimes-awkward evening that delivers in Lembit Beecher’s one-act premiere opera.
One of today’s top divas provided glamour and high-wattage vocalism.
This imaginative, animated staging dazzles in some ways and comes up short in others.
This witty collage of theatrical ideas, superbly staged and performed, sets a high standard.
Opera Philadelphia’s innovative festival brings works old and new to venues across the city.
At the Met, Carsen and company reduce metaphor to melodrama.
A fine cast, expert conducting, and beautiful designs are hallmarks of Opera Philadelphia’s production.
Every entertaining minute is awash in excess in a show that practically defines “guilty pleasure.”
A beautiful production and a reminder of what brought many of us to opera in the first place.