Criticism

REVIEW: Quando le serre senza Placido: Philadelphia Orchestra’s Opening Night (for Parterre Box)

Domingo was out and Audra was in, as the Philadelphia Orchestra opens its season. Cameron and David were there…

Tina Satter’s 70 minute play is disturbingly effective, even as it raises questions about the nature of documentary theater.

For better and worse, Lantern Theater’s production charms rather than alienates us.

Director Jamie Lloyd and a strong trio of actors puncture the pomposity of Harold Pinter’s adultery drama.

Fringe rethinkings of William Inge and Tennessee Williams have fascinating, sometimes revelatory results.

Did Bard’s Festival raise our sense of the composer’s classical works? Yes and no.

The biggest problem here was sensory overload.

Although I saw this provocative production a month ago, I continue to think about it.

For all of its winking loucheness, the show is utterly devoid of any real suggestion of sex.

Cameron and David continue the conversation about what critics do and how they are perceived.