REVIEW: Signature’s The Young Man From Atlanta Doesn’t Put a Foote Right
Seen here, this dated piece of earnest but intolerant realism seems almost a parody of itself.
REVIEW: Lambs to the Slaughter: Curse of the Starving Class at Signature Theatre
Director Terry Kinney blows up Sam Shepard’s great play and can’t put it back together again.
REVIEW: Happy Talk and the Problem of Tone
Is Jesse Eisenberg’s bumpy play camp…or something entirely different? Critics David Fox and Cameron Kelsall discuss.
REVIEW: Our Lady of 121st Street and Stephen Adly Guirgis’s Desire to Shock
Phylicia Rashad’s flashy, shallow production reveals how close this play is to TV comedy.
THEATER REVIEW: Whirligig Spins and Spins—But To What End?
Hamish Linklater’s bumpy, overwritten play never finds an anchor.
THEATER: Taking a Second Look at The Antipodes at Signature Theatre
Revisiting Annie Baker’s new play confirmed some of my impressions and changed others.
THEATER REVIEW: In The Antipodes, Writing Is—Literally and Figuratively—An Exorcism
There are many wonderful things in Annie Baker’s new play, but it loses its way.
THEATER REVIEW: In Everybody, Branden Jacobs-Jenkins Rethinks the Afterlife
An improbably delightful adaptation of the grimmest of all English-language dramas.
reclining standards 