Georgia On My Mind: DF Reviews Infinite Life (for Parterre Box)
A beautiful, funny, disquieting study by an artist whose mastery of understatement is nonpareil.
In Memory of James
Cameron offers a loving tribute to James Jorden, Parterre Box’s founder and eternal force.
James Jorden 1954-2023
The writers of the Box and James’s friends are saddened to announce the death of the inimitable founder of Parterre Box.
Some Unholy Wars — DF Reviews Festival O23 (for Parterre Box)
Unholy Wars is most an opera when it is, with “Lascia ch’io pianga,” actually an opera.
Dogecoin — DF Reviews Simon Boccanegra at Festival O23
In sum: not a perfect Simon Boccanegra—is there such a thing?—but a grand and often great one.
A Madhouse Is Not A Home — DF Reviews 10 Days in Madhouse at Festival O23
In 90 minutes, Rene Orth’s riveting work gives us everything we could want in a new opera.
Let’s Get Serious — CK Reviews Renee Fleming and Evgeny Kissin at Carnegie Hall (for Parterre Box)
The soprano arrived at Carnegie Hall on May 31 with something to prove.
Die Frist Ist Glum — CK Reviews Der Fliegende Hollander at the Met (for Parterre Box)
Francois Girard’s Holländer sits on the Met’s cavernous stage as a dull gray mass.
Backwards Runs Bohème: DF Reviews Opera Philadelphia’s Production (for Parterre Box)
Sharon’s reordering is the boldest aspect of his production, and for me it’s effective.
Pianist Envy: CK Reviews Good Night, Oscar on Broadway (for Parterre Box)
Doug Wright’s new biographical dramadey, seems at once intimately familiar with and entirely alien to its subject.
reclining standards 