You will not soon forget David T. Little’s harrowing, riveting monodrama, nor Johnathan McCullough’s performance.
As Julia Child, Jamie Barton is clearly having the time of her life.
I’ve heard starrier performances, but none that made a more powerful case for this masterwork.
Festival O19 ended on a sweet note, connecting Opera Philadelphia with the city and our musical future.
In this intriguing but confounding theater piece , creator Joseph Keckler wants to have his cake and eat it too.
This superb chamber-sized two-hander has a monumental, shattering impact.
Once again, the audacious Opera Philadelphia folks are playing without a net.
As a cohesive evening of music drama, this ambitious double bill doesn’t quite add up.
A wonderful musical performance, hampered by a misguided production.
What R. B. Schlather’s visually arresting production has to do with the opera remains a mystery.