REVIEW: 1812’s The Roommate is a Comedy that Needs Fewer Laughs
A character-driven, wryly humorous play gets a production often mired in sitcom glibness.
PREVIEW: This Is The Week That Is Laughs at Our Crazy World
The 1812 Productions’ team on how and why they make funny in the Age of Trump.
REVIEW: In Broken Biscuits at 1812, Too Much Charm Equals Too Little Payoff
This tale of terminally unpopular British teenagers feels like a 22-minute sitcom stretched to two hours.
REVIEW: In 1812 Productions’ Hope and Gravity, Romance has its Ups and Downs
Michael Hollinger’s funny and clever play could use more gravity.
Four Gay Men Ponder Their Cosmic Attachment to Barbra Streisand
A chat with the cast and crew of 1812’s Buyer & Cellar.
THEATER REVIEW: In 1812’s Happy Birthday — Couples, Uncouples, and Doors, Doors, Doors
There’s considerable accomplishment and comic virtuosity here in Marc Camoletti’s farce.
Q&A with Jen Childs, Mary Martello, and Monica Stephenson of The Carols
The writers and star of 1812’s new holiday show talk about their creative process, and the healing power of theater.
DF Reviews This Is the Week That Is (1812 Productions)
It could hardly be a more difficult time to open a comedy – even one as popular as This Is the Week […]
reclining standards 