THEATER REVIEW: Worlds Collide in Lantern Theater’s Coriolanus
The best of this viscerally thrilling but interpretively odd take on Shakespeare’s play is very fine indeed.
The best of this viscerally thrilling but interpretively odd take on Shakespeare’s play is very fine indeed.
A terrific cast scores in Nicky Silver’s coruscating, hilarious comedy.
I disagree with many of Sam Gold’s directorial ideas—yet I’ve never seen a production that feels so devastatingly right.
In this extraordinary sensory experience, the human dimension sometimes fades into the background.
John Pollono’s potentially interesting play is undermined by sitcom shtick.
Every entertaining minute is awash in excess in a show that practically defines “guilty pleasure.”
A beautiful production and a reminder of what brought many of us to opera in the first place.
Idiopathic Ridiculopathy’s little gem of a show has something profound to offer.
This gorgeous, provocative production reimagines the play from the inside out.
This story of black sisters born in the 19th Century feels itself to belong to another time.