Author Archives

University administrator and teacher by day, theater and arts critic by night.

Did I Mention There’s a Mime? DF Reviews Dear World at Encores! (for Parterre Box)

Wild adulation for Donna Murphy could not disguise that Dear World doesn’t work in any sense.

Two radically different productions offer fascinatingly contrasting insights into Williams’ great play.

Two plays — one considerably stronger than the other — aim to capture American Jewish experiences.

Don Pasquale is Jawn Pasquale in this delightful production at the Academy of Vocal Arts.

That Some Like It Hot fizzles rather than sizzles is not only a disappointment, but also a bit of surprise.

Soprano Lydia Grindatto confirmed her promise with a charismatic, thoroughly inhabited Violetta.

This is likely the best Giargiari Bel Canto competition year in my experience, evidenced in several important ways.

Stuffed with Stoppardian cleverness, there’s far too much in LEOPOLDSTADT to register with specificity.

In bel canto opera, virtuosic singing IS the drama. Accept that, and O22’s OTELLO pays off thrillingly.

In THE RAVEN, Festival O’s characteristic imagination and audacity remain front and center.