Brutal Desire — CK & DF Review A Streetcar Named Desire at BAM (for Parterre Box)
Rebecca Frecknall’s gripping staging makes new a play many of us feel we know inside out.
University administrator and teacher by day, theater and arts critic by night.
Rebecca Frecknall’s gripping staging makes new a play many of us feel we know inside out.
The American debut of a truly great singer and recitalist is cause for rejoicing.
Audra McDonald is Broadway’s latest Rose in George C. Wolfe’s re-conceived GYPSY.
A terminally hip production and model-pretty cast can’t disguise the work of an interpretively clueless director.
Jez Butterworth’s play wants to both shine a harsh light on nostalgia, and to bask in it.
Missy Mazzoli’s gorgeous score is the major takeaway here: a dazzling success in every way.
It’s a joy to see this great playwright equally at home as a screenwriter and director.
Lucy Kirkwood’s riveting and unsettling play is both fresh and a welcome return to old-school playmaking.
This superb production by Curtis Opera Theatre would be a credit to any opera company anywhere.
Each successive version pushed the envelope further… and was less effective.