REVIEW: We’ve Been Through the Mill: Moulin Rouge! on Broadway (for Parterre Box)
For all of its winking loucheness, the show is utterly devoid of any real suggestion of sex.
University administrator and teacher by day, theater and arts critic by night.
For all of its winking loucheness, the show is utterly devoid of any real suggestion of sex.
A thrillingly full-throttle rarity, with much to celebrate in the fine singing here.
Within minutes, something wonderful happened, and none of my reservations mattered.
Cameron and David continue the conversation about what critics do and how they are perceived.
The gorgeous title characters in this self-consciously clever production are diminished from the start.
David and Cameron consider what it means to be a critic… and what other people think it means.
Playwright Jonathan Payne’s sense of distance robs us of our need for outrage.
… in Dominique Morriseau’s lovely new play, they do.
… but director Robert O’Hara’s insights alternate between brilliance and glare.
A radiant performance showcased the exceptional work done here by gifted young singers.