Summertime for Hitler: DF Reviews Camp Siegfried at Theatre Exile
It sounds like a bad joke, but Beth Wohl’s riveting Camp Siegfried–superbly done by Theatre Exile–is rooted in reality.
REVIEW: In Completeness at Theatre Exile, the Bumpy Road between Comedy and Science
Take my yeast—please!
REVIEW: Sing the Body Electric at Theatre Exile is a World Lit by Lightning
In Michael Hollinger’s perplexing but enchanting play, getting there is the best part.
REVIEW: In Really at Theatre Exile, a Fugue State Without a Fugue
Jackie Sibblies Drury’s dreary play is a sprawling, 70-minute journey to nowhere.
In Theatre Exile’s Ideation, Consultants Pitching for their Lives
The ideas fly fast, furious, and ominous in Aaron Loeb’s entertaining satire.
THEATER REVIEW: In Buzzer, It’s Location, Location, Location
Tracey Scott Wilson’s powerful, edgy play shows Theatre Exile at its considerable best.
THEATER REVIEW: Lost Girls Doesn’t Find Its Tone
John Pollono’s potentially interesting play is undermined by sitcom shtick.
THEATER REVIEW: In Guards at the Taj, A View from Downstairs
At Theatre Exile, Rajiv Joseph’s flawed but compelling play packs a lot into 90 minutes.
THEATER REVIEW: Football, Friendship and Fame in Theatre Exile’s Tommy and Me
Ray Didinger’s play, a natural fit for Philly sports fans, is always enjoyable, but not often more than that.
THEATER REVIEW: Theatre Exile’s Smoke is 50 Shades of Meh
Kim Davies’ play about sexual bondage feels like a cynical exercise in edginess for its own sake.
reclining standards 