REVIEW: Awake and Sing! Recovers a Precious Bit of American Theater History
Seen here, one is aware of Clifford Odets’ flaws as a writer—but even more, we see his grandeur.
REVIEW: At Quintessence, Oliver!, Twisted
Director Alexander Burns’ sometimes imaginative rethinking cannot redeem Lionel Bart’s awful musical.
REVIEW: In The Wild Duck, Dark Family Secrets with Ironic Humor
Quintessence Theatre’s production is problematic, but even the problems are interesting.
REVIEW: Waiting for Godot at Quintessence Melds Humor and Humanity
In director Ken Marini’s revelatory production, Beckett’s modern classic feels freshly-minted.
THEATER REVIEW: Uncle Vanya, Straddling Two Worlds
Ironically, Quintessence’s updated production works best when it’s most traditional.
THEATER REVIEW: In Saint Joan at Quintessence, Politics and Religion on a Collision Course
Rebecca Wright’s beautiful production finds the essence of Shaw’s gorgeous, unwieldy play.
DF City Paper Review — Mourning Becomes Electra (Quintessence Theatre, 17 April 2014)
Somewhere on the list of plays I always wanted to see – but never thought I would have the chance – is […]
reclining standards 