REVIEW: Goodnight Nobody at McCarter—Superb in Parts, Frustrating in Others
Days later, I’m playing over scenes in my mind—loving some, scratching my head over others.
REVIEW: Gatz at McCarter is a Postmodern Romp Through Fitzgerald Country
Elevator Repair Service provides plenty of ironic spin but misses its own sense of privilege.
REVIEW: In Detroit ‘67, Home is Where the Heart and Heartbreak Are
Dominique Morisseau’s meaty, thought-provoking play gets a terrific production at McCarter.
REVIEW: McCarter’s The Age of Innocence Suffers from an Abundance of Good Taste.
Seen here, Edith Wharton’s bitingly brilliant novel looks elegant, lovely, and largely inert.
reclining standards 