The electric current that needs to run through Sam Shepard’s great play is curiously low-voltage here.
At its most antic, this production looks less like Buried Child than Buried… with Children.
REVIEW: When Fringe Meets the American Canon (Part II: And Tell Sad Stories of the Deaths of Queens)
EgoPo Theatre makes a welcome return to Tennessee Williams’ with this fascinating dramaticule.
This visually stunning production shows EgoPo’s theatrical imagination and innovation at full throttle.
An important but rarely produced American play gets a reboot from a South African company.
John Guare’s monumental Lydie Breeze trilogy ends movingly, if not entirely clearly.
Part II of the Lydie Breeze Trilogy is linear, concise, and better than Part I.
Hats off to EgoPo for the theatrical coup of the season: mounting John Guare’s epic play cycle.
Part I of John Guare’s monumental trilogy perplexes even as it makes us want more.
Picks for things to see and hear from now through February, including EgoPo’s Lydie Breeze.