Silent Treatment: DF reviews Strauss’s Schweigsame Frau at Bard (for Parterre Box)
A lovingly restored version of Strauss’s opera reveals that sometimes cuts are for the best.
REVIEW: Die Tote Stadt at Bard, and Leon Botstein’s Korngold Project
Did Bard’s Festival raise our sense of the composer’s classical works? Yes and no.
REVIEW: Trial by Korngold: Concert at Bard SummerScape (for Parterre Box)
The biggest problem here was sensory overload.
reclining standards 